\def\abcmusix{N}
\input header

\def\freqbarno{99}
\generalsignature{0}%
\def\nbinstruments{2}

\def\Zu#1#2{\zcharnote{-14}{#1}\qu#2}
\def\Zl#1#2{\zcharnote{-14}{#1}\ql#2}
\def\Yu#1#2{\zcharnote{-32}{#1}\qu#2}
\def\Yl#1#2{\zcharnote{-32}{#1}\ql#2}
%\def\Zu#1#2{\zcharnote{-14}{\tt #1}\qu#2}
%\def\Zl#1#2{\zcharnote{-14}{\tt #1}\ql#2}
%\def\Yu#1#2{\zcharnote{-32}{\tt #1}\qu#2}
%\def\Yl#1#2{\zcharnote{-32}{\tt #1}\ql#2}

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%

\centerline{Traditional staff notation of pitch -- the inspiration for \it{abc}}

\cleftoksi{6}
\cleftoksii{0}
\generalmeter{\meterfrac{}{}}%

\normal\elemskip=12pt%

\debutextrait%
\notes
\Zu{A,}{A}\Zu{B,}{B}%
\Zu{C}{C}%
\Zu{D}{D}\Zu{E}{E}\Zu{F}{F}\Zu{G}{G}\Zu{A}{H}\Zu{B}{I}\Zu{c}{J}%
\Zl{d}{K}\Zl{e}{L}\Zl{f}{M}\Zl{g}{N}\Zl{a}{a}\Zl{b}{b}\Zl{c'}{c}%
\enotes
\notes
&%
\Yu{c'}{c}\Yu{d'}{d}\Yu{e'}{e}\Yu{f'}{f}\Yu{g'}{g}\Yu{a'}{h}\Yu{b'}{i}%
\Yl{c'{}'}{j} \Yl{d'{}'}{k} \Yl{e'{}'}{l} \Yl{f'{}'}{m} \Yl{g'{}'}{n} \Yl{a'{}'}{o} \Yl{b'{}'}{p} %
\Yl{c'{}'{}'}{q}~~~\Yl{d'{}'{}'}{r}~~~\Yl{e'{}'{}'}{s}~~~\Yl{f'{}'{}'}{t}~~~\Yl{g'{}'{}'}{u}~~~\Yl{a'{}'{}'}{v}~~~%
\Yl{b'{}'{}'}{w}~~~\Yl{c'{}'{}'{}'}{x}%
\enotes
\finextrait

\vbox to 3mm{}

This notation differs by two octaves from that used for the treble clef
in the original \it{abc}.

\end%
